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Wednesday, October 4, 2017

A Monster, A Moment, And A Memory: An Interview with Michale Graves



Recorded September27, 2017, in the parking lot of Reggie’s 42nd Street Pub in Wilmington, NC, leaning against the side of Michale’s pick-up truck and transcribed. All the ums, ahs, laughs, pauses, stumbles, doubling back, and friendly interruptions are there, very conversational, very informal, very much like sitting down with an old friend, which, in a lot of ways, it was. [Pictures are from the show that night]
 


D: The 2nd time I saw you was in September of ’97, God, that’d be right at 20 years ago. I showed up early and caught the soundcheck through the open stage door. You sat alone on the edge of the stage and bled, really bled, a couple of Patsy Cline songs, knowing full well that there were rabid punk fans outside listening, who were already judging you. I’ve never forgotten it. Hearing the heart you poured into those songs was my first taste that you had more to offer. That’s when I became a fan of yours, not just the current project.

MG: [laughs] Thank you, that’s a pretty cool story…

[Bit of a recording glitch here, missed several minutes…]

D: …Vagabond is a bit of a masterpiece, probably my favorite of all of your work, and the acoustic version, well, it was a friend when I needed one. Backroads/World Turned aside, what’s your favorite of all your projects?

MG: Vagabond. Yeah, I’d have to say Vagabond. You know, I, I don’t have to put, and I don’t put that music through many filters like I do with the horror stuff, where I’m really, you know, watching and tinkering with words in a different way. The Vagabond and Wanderer stuff, it’s just kind of…

D: Like pure voice?

MG: Yeah, Yeah. It’s just, it’s how I feel. I’m not afraid to talk about spirituality. I’m not afraid to talk about, you know, life and love and loss, I just, I just kind of put it out there.

D: So, what’s a…, what’s the most personal song you’ve ever written?

MG: They all are.

D: Whether we’ve heard it or not?

MG: I think they all are. “New Song” comes to mind. “New Song,” when I play it, sometimes I don’t play it, ‘cause there’s like 8 out of 10 times I don’t get through it.

D: [simultaneously] …can’t get through it?

MG: Yeah, so I think “New Song” is pretty, uh…[long pause], yeah.

D: It’s been pretty cool getting two versions of the last several albums.

MG: Yeah. Yeah, yeah

D: It really has, seeing the process in it. Which do you like more? Do you like going from… stripping it down or going, expanding it to the full band?

MG: I like the, I like, I like the deconstruction. I like to deconstruct it. Rather than sneaking in… Although, that’s how I wrote the last record.

D: Which I love, by the way.

MG: Yeah, it was from simple acoustic and then I built on. But I, I love to deconstruct.

D: What do you get the most satisfaction out of playing live? I’ve heard that you like the acoustic stuff just because it is so personal, but…

MG: And it’s also a challenge for me. I love the challenge, the musiciansh…, you know, the challenge as a musician when I’m just up on stage, and just my voice and my, and the guitar. I don’t want to say I can hide behind a lot of things when I’m up with the band, but it’s, it’s a different sort of delivery system. I’m using a lot different muscles, you know?

D: Yeah. Have you got songs that you never, ever want to play again…

Loki: [gives a hearty laugh!]

D: …that you just can’t get away from due to fan demand?

MG: No.

D: No?

MG: No. No, not yet, at least. I keep my mind…, um, you know, I don’t, I think, I’ll never forsake the songs. Every time we play “Dig Up Her Bones,” or one of those songs that you’d think I, you know, “Crying On Saturday Night,” um…

D: …that some people would probably think that you would just get sick of doing, you don’t?

MG: I don’t. I don’t. it’s a blessing every time we get to play it. The reaction that people have is just…

D: [to Loki] What about you…

Loki: …that’s what it’s about, it’s about the reaction…

D: Do you get sick of playing anything in particular?

Loki: Well, my personal taste, I, I’d, I would rather never play “Godzilla” again.

MG: Yeah?

D: Fair enough.

Loki: But, with that being said, no, like with the hits that, that is a mandatory hit, I feel like the reaction that we get is just, it’s a blessing for us to play the songs that people enjoy so much.

MG: Yeah.

Loki: They just wanna, they’re waiting to hear it, why wouldn’t you play it?

D: Right.

MG: Yeah.

D: Yeah, No, I agree.

Loki: I mean it’s silly, 100%. Just playing it, and seeing people’s…, and just feeding off of their energy, dude. That, it’s just great.

D: That’s awesome. So, is there stuff that you want to do live that just doesn’t jive with the show? That you just can’t work it into a set?

MG: Well, like the Vagabond and the Wanderer stuff, and certain songs that just wouldn’t work in the set that we, we do, but I have plans for, for that, for that stuff, so I’ll be able to get that off of my chest at some point, yeah.

D: Alright. You got any guilty music pleasures? Like are you a secret Britney Spears fan or anything?

MG: You know, like I said I have 2 children, 3 children, 2 girls…

D: I have 2 girls myself.

MG: Uh, huh. 2 girls and a boy, and the girls, except for my youngest, Perry, kinda likes heavier music, she’s getting into heavier music, but when I’m with Olivia and Perry we listen to a lot of Kid’s Bop, and so… I like all… there’s so many songs that I know and that I like and that I sing along to…

D: That’s cool, I’ve got such a range of likes myself, that its cool to hear that.

MG: Yeah. I’ve never been a clique-y person, you know what I’m saying? So, my taste in music is so eclectic, I love, you know, you’ll find me listening to, I don’t know, the soundtrack to The Phantom Of The Opera, or Beethoven, or Tchaikovsky, all the way to, you know, I love John Denver, I love Willie Nelson and Johnny Cash, and I love listening to like Lamb Of God and Megadeth.

D: You’ve named a few that I’ve looked up to for a long time.

MG: I love Darryl Hall and John Oates, Bon Jovi.

D: I’m gonna embarrass you a little bit, since you named several of those people. The acoustic stuff, I mean I’ve really, you have lifted up to singer/songwriter status with a lot of those people for me.

MG: Yeah? I appreciate it. I’m never ashamed of the stuff I listen to. I’m never ashamed.

D: I’m glad to hear it. I never have been either.

MG: Yeah, good music is good music.

D: What’s the first piece of music you ever bought?

MG: That I ever bought?

D: Own money, walked into a store and bought.

MG: It was probably like a Def Leppard…, probably Pyromania

D: Still have it?

MG: Or Eddie Rabbit, you know or like Air Supply or something when I was younger? No, I don’t have it.

D: My first one was a 45 of “Another One Bites the Dust” with “Don’t Try Suicide”…

MG: Yeah? Yeah, yeah!

D: …still have it!

MG: Like Get The Knack or something, Haha!

Loki: [laughing]

D: One of the things that I have always been impressed about is that you never hidden your politics or your faith or anything like that amongst a community of fans that’s generally seen as liberal and agnostic…

MG: Yeah.

D: …and things like that. Do you think you’ve gained or lost fans because of it?

MG: I think both. I think it’s gone both ways. I think that I gain and I lose fans, um, and you know, that’s ok, but the fans that I do have and the fans that I do gain are great people, and a lot of them disagree and a lot of them aren’t in line with my politics, and some are atheists and some are Jews and Hindus…

Loki: Hell, the band isn’t all in line…

MG: ...a friend of mine was a high priestess of the satanic church, and she’s no longer there, but, so I have love for everybody…

D: [to Loki] Kind of a follow up to that since you mentioned it, is the band kinda on the same page? Are y’all all over or…

Loki: I can only speak for myself, but yeah, it’s all over, especially with me and him, but man, I can’t think of a closer, you know, friend that I have than Michale.

D: Hey, some of my closest friends are polar opposites when it comes to…

Loki: It’s not about, you know, agreeing all the time, you know, it’s about having a conversation.

MG: Yeah, nah, I’m pretty staunch when it comes to certain things, but that’s the thing, that’s what’s wrong too, you want to boil it down to the punk community, the rock community, to, or really at large, um, there’s no more civil dialogue it seems…

D: I agree.

MG: Everybody’s just arguing…

D: about everything…

MG: We’ve fallen into the trap. We’ve fallen into the trap that it’s a psychological operation to soften everybody up. Everybody is much easier controlled when we’re in fight of flight.

D: Oh, yeah.

MG: and that’s what happens when you create such, when you create on a large scale, on such a large scale of everybody constantly in that fight or flight mode where they’re angry about something or they’re just waiting to hear some sort of trigger, it does something, it does negative things to a society. It makes everyone more susceptible to disease and control and everything else and that’s where we’re at and it’s really sad and scary because I have young children.

D: How old are they?

MG: An 8 year old, a 5 year old, and a 2 month old.

D: Wow, I didn’t know you had a 2 month old!

MG: Yep.

D: Nice, I’ve got 9 year old and an eleven year, or, I’m sorry, a 9 year old and a 12 year old, and it’s, it’s crazy.

MG: I was, when I was younger, I was, I was pissed off for a lot of other reasons, and now I’m, you know, I’m pissed off in a whole new way…

D: Yeah, Hahaha!

MG: I’m pissed off in a whole new way because the world that… I’ve lived a good life. I’ve done pretty much everything that I’ve wanted to, so I can lay my head on the ground and go back to my lord and I’ll be ok, but It’s the world that they’re gonna, the world that they’re being brought into is the world that I’m angry about and trying to make… I mean, you know, you’re a father…

D: Totally understand,

MG: Yeah, yeah.

D: Does the “Conservative Punk” label ever weigh down on you or do you embrace it?

MG: It never weighs down on me.

D: No?

MG: No, I wear it with a badge of honor. I’m very, very proud of the things that I did, um, yeah, I didn’t take the easiest path, or the easiest road, but…

D: No, you didn’t. You brought a lot of stuff down on yourself, criticism-wise, that I’ve admired you for doing.

MG: Yeah, you know, when you’re gonna fly into the enemy, into the enemy’s encampment, you gotta understand that you’re gonna get shelled to the ground.

D: Alright, uh, kinda building on that, um, do you ever find it difficult to reconcile your faith with the subject matter and the image that you, that you portray?

MG: I don’t, because I believe in Christ, that Christ died for all, you know, that Christ died for all of us.

D: I get asked the question a lot too…

MG: Me too.

D: And it’s never, it’s never, it’s never been an issue for me.

MG: You know, I’ve, I’ve had conversations with clergy, especially when I was down in Little Rock, I delved into the Christian community as much as I could, um, for that reason, to try to get people, younger people, um, you know, awakened to, awakened to spirituality, Christianity, and um, and I always told those people that, that you have to understand the dark and you have to, you have to communicate the darkness as well, to understand the light as well.

D: I think it’s a brilliant sentiment, and I wholeheartedly agree.

MG: And in the Bible it says you’ll, you’ll know, you’ll know them by the fruit that they bear. And so I say to anybody, you turn on the, the computer and you pull up pictures of me and you, you take a look at me you could come up with, you know, you could come to a conclusion that, that’s very, that’s very very wrong. But when you really look at what I’ve done in the past 20 years, I think that my, I know that my savior is waiting. I, I’ve…

D: That’s refreshing to hear. It really is.

MG: Yeah, I’m gonna be alright. I’m gonna be alright.

D: Glad to hear it. Let’s see, um, as outspoken as you have been, uh, you’ve made a lot of musical statements that clearly had a political message…

MG: Sure.

D: …that weren’t overtly political. You know, they weren’t ‘Jello Biafra’ political..

MG: uh, huh

D: Um, is it by design? Like, do you write them that way, or does, is that just how they come out?

MG: A lot of it, yeah, a lot of it is cloaked. If somebody was to go back in my music and really look and really take the blinders off and really look and start to pick it apart, the messages go all the way back to The Misfits.

D: Oh, yeah.

MG: All the way back to The Misfits. And there’s time when I come out more ferociously than, than I do at other times, but, at the end of the day, I’m, I’m an entertainer, and my job is to entertain, through music, through video, through, through art and so my political statements, or my, you know, my world view, you’re right, it’s in there, but it, it’s kinda covert.

D: Ok

MG: It’s put in there as, as allegory.

D: Yeah.

MG: Um, you know, but when times call for it, I think like now, um, I, I raise my rhetoric a bit.

D: Alright, as long as we’re there, you wanna weigh in on this whole ‘take a knee’ thing?

MG: [pause] I, personally, don’t believe that when the national anthem is played that it’s the time to make any sort of political statement.

D: I would agree.

MG: Right or wrong. Right or wrong, its not agreeing or disagreeing with the political statement, it’s just that that, the national anthem, as Americans, we should all just wait a couple of minutes, you know, and rally around that song, and, and keep that song sacred. Um, you know, for lots of reasons. Because it’s for the sacrifice that, that everybody made. Sacrifice the soldiers make, you know there’s young guys out there that, that, you know, that are literally dying for the flag, you know it’s… So, I’m all for people making political statements. I think it, I think that that’s great that we have discourse…

D: It is important.

MG: But everybody should just take a breather when, when that song comes on and, and, and I think that we should respect it and stand up for it. Lemme tell you something, the way that I was raised, If I was out on a field, or if I, you know, my dad or my mom or some guys that I know…

D: I’d be, I’d be behind that tree right there…

 MG: …knew that I took a knee…

D: …my dad woulda beat my ass!

MG: Yeah! I’d be in, I’d be in big trouble, but irregardless of that, it’s just, once again, it’s really just, it’s sad, it breaks my heart to see such, you know, such back and forth, everybody’s, everybody’s arguing…

D: And we get back to the arguing and it’s beating…

MG: …in a profound way, in a, in a very profound way…

D: …and it’s beating everybody down.

MG: Yeah.

[pause]

D: Alright, while I’m thinking about it, looking at your trailer, did ya’ll ever recover any of your gear from last year?

MG: No.

D: None of it? None of it at all?

MG: No. No. No. Well, you know what, lemme just back, let me back up to that, to that last question ‘cause I have the opportunity.

D: Ok, yeah.

MG: You know what, what I don’t like is that, again, we have young children, and you see these systems whether it’s ESPN, NFL as a league, where they’re getting all of this money in from organizations  and other corporations and so they’re putting out a public agenda, you know, they, the NFL accepts money to push, to push the, you know, the war footing of America, and that’s, that’s not right. I think that if, again, you clean out money like that in those organizations, it’s just not the NFL, it’s everywhere. You look at my industry, the music industry and the movie industry, there’s, there’s 5 companies, and they’re all Chinese run now, It’s all Chinese money, so now every time you go and you see a movie there’s gonna be some sort of communist China message in there, that’s the, that’s the truth. And so these young kids are starting, are not starting to, have this warped sense of what, what reality is. Communism, facism, capitalism, conservativism, liberal, liberalism, they’re just words that float, and they just evoke emotions and it’s, it’s bad, and its, it’s very wrong and we’re, I think we’re headed for some bad stuff. Some bad stuff. I wish the music industry was different.

D: You got time for a couple of Misfits questions?

MG: Sure. Sure, sure.

D: Have you followed, uh, the careers of your former bandmates?

MG: Of course, of course.

D: What do you think of the stuff they’re putting out?

MG: I really, I, I, anytime… I haven’t listened to Doyle’s new record, I’m not real, you know, I listen to it…

D: I’ll throw my 2 cents worth in, its amazing. I didn’t love Alex’s voice on Abominator, but then I saw them…

MG: That’s great. It’s not my thing. It really isn’t. The style, and…

D: Well, that’s what turned me off to them until I saw them.

MG: Yeah, but I’m really glad, you know, obviously I’m always rooting for those guys. I keep in touch with Jerry, I’m, yeah…

D: So, I’ve heard you say in the past that you’re open to…

MG: Of course, I’ve always been open to…

D: …a reunion with them…

MG: Of course…

D: Do you honestly think it’ll ever happen?

MG: I do.

D: You do?

MG: I do.

D: That’s good to hear too.

MG: Yeah.

D: Alright, so, I was at Riot Fest last year in Chicago and I was blown away by something that I never thought I’d see just because of my age. Two days later I saw you at The Drunken Horse in Fayetteville, and was, again, blown away, and enjoyed that how just as much as I did that Misfits show.

MG: Cool.

D: What are your feelings about Glenn singing with them again?

MG: It’s f.., I think it’s fantastic. I’m a fan of The Misfits too. I’m a fan of Glenn, of Danzig…

D: I knew you were a big Danzig fan…

MG: Before I really understood what the Misfits, who they were, I remember seeing Danzig on MTV, and, you know, when I was younger, and in bands that I was in we did Danzig songs, so I’m a fan…

D: First song I ever played live was “Twist of Cain”…

MG: I’m so happy for them as individuals, that they were able to come to whatever terms that they needed to come to, and put aside whatever differences they needed to, to put aside to be able to come together and play, because when you see, and you experienced it, the fans, what it does for the fans…

D: It was amazing, it really was…

MG: It…, It’s…, that…, that’s saving the world one fan, one fan at a…, but it’s, it’s such, everybody’s so excited, I’m, I’m very very happy for them. I’m very very happy for them.

D: Good to hear. A couple of quick, one-liner last one’s. Favorite band of all time?

MG: Ahhh…, Unfortunately, I think I have to say U2.

D: Yeah?

MG: I think Bono’s a jerk but…

Loki: [to Michale] If you were gonna be like “I don’t have…” I was gonna say…

D: U2!

Loki: …U2!

MG: [laughs]

Loki: [laughs]

D: [laughs]

MG: I love the music of U2. The politics of U2 is a different story, um, but yeah…

D: Favorite album of all time?

MG: It might be Pyromania

D: Nice!

MG: Def Leppard with Pyromania.

D: Nice! Def Leppard was my first concert…

MG: Yeah?

D: …on Hysteria

MG: I love that record.

D: Favorite song of all time?

MG: Of all time…, shoooo…,

Loki: No, no answer.

D: No answer, really?

MG: Ugh, that’s rough, man!

Loki: Yeah.

MG: Umm…

Loki: That’s like if you’re a chef and you’re like what’s your favorite flavor…

D: …favorite food…

MG: I’m gonna say “Mano a Mano” by Daryl Hall & John Oates…

D: Nice!

MG: …just because I need an answer!

Loki: [laughs]

D: [laughs]

MG: [laughs]

D: Favorite guitar?

MG: Favorite guitar?

D: To play, favorite guitar to play?

MG: Umm…

D: I’m a Tele guy myself.

MG: I love playing Ibanez. The Paul Stanley, like the real Paul Stanley that actually feels like a real guitar.

D: What are you listening to right now?

MG: Ah, what’s um, again, I have… System Of A Down, Adam and… Adam the Ants, Type O Negative, I don’t, I really haven’t, I really don’t listen to anything new, I’m still…

D: What’s the newest band that caught your attention?

MG: Probably Living End, The Living End, but they’re not even…, they’re not new anymore, but yeah, that’s the newest.

D: Well, alright. I appreciate your time man.

MG: Yeah man.

D: I really do. I’m looking forward to the show.

Loki: Awesome, thanks, man.

MG: I appreciate it.

D: Thanks, man.

Loki: Glad it all worked out.

D: Yeah, I am too.


MG: [walking away] Chinese food!!

Thursday, September 28, 2017

The Misfits/Riot Fest 2016

Meant to get this up at the one year mark, but you know, life gets in the way. Wrote it on the flight home from the show.

12:32, Monday, Sept. 19, 2016, above Midway Airport, Chicago, IL
Give me a moment...
Some hours ago (as of this writing), Chicago Tribune reporter Greg Kot let loose a review of The Misfits' show at Chicago's Riot Fest as "not all that historic," in which, he took not-so-subtle shots at, quite literally, everything to do with the performance. He slighted the band's appearance, the stage set, ...their choices of fill-in musicians ("ringers" he called them), Doyle's stage name, the subject matter of songs that he's taken no other notice of in the nearly 40 years since they were written, Glenn's stage banter during frequent breaks to catch his breath, and how a couple of more recent artists who played earlier in the day had "spruced things up a bit Sunday." We get it; you're not a fan. The article was clearly a reporter's response to the build-up and hype surrounding the reunion. Everyone has a job to do, and he did his. He didn't like it. That's fine. The Misfits are not everyone's cup of tea. I get that. I have friends who hate them. And I mean hate them. That's fine. But they didn't go last night, because they probably wouldn't have liked it either. In that regard, I appreciate the fact that Kot experienced this spectacle from "a football field away," giving at least one more fan who was there with an emotional attachment to something rather than for the sheer curiosity of it, the chance to be a few feet closer to something they had waited a lifetime to see and will likely never get to see again.
I'm not going to skirt around the fact that I'm a fan, its why I was there. I am a huge Misfits fan, a Samhain fan, a Danzig fan, a Kryst the Conqueror fan, a reformed Misfits fan, an M25 fan, a Project 1950 fan, a Gorgeous Frankenstein fan, a Doyle fan, I never picked sides, I don't hate Jerry, I don't hate Glenn, neither walk on water, I have no issues at all with Graves or Chud and am a fan of theirs too. I could go on and on and on about my complete lack of interest in Misfits drama. I drank the kool-aid and tried every subsequent flavor. It's not all great, it's not even all good, but the gems... there are a lot of gems. Having seen Danzig 3 times, the Graves-era Misfits 3 times, and the post-Graves revolving door Misfits 3 times, I've got some thing to compare what I witnessed last night to. I was lucky enough to catch the Long Way Back From Hell tour in a small theater, which I would argue was Glenn's performing peak. It was flawless. I was also lucky enough to catch the newly reformed Misfits prior the release of American Psycho in a club not not much bigger than last night's sound booth, with Jerry and Doyle at their closest, and in top shape. It was insanity at its finest. Reading the announcement of the two reunion shows gave me chills and extremely mixed feelings. On the one hand, it's something that I never even dreamed would happen; I thought that maybe I'd get to catch a Danzig show where he finally did some of the old stuff, or that I would once again check out Jerry's band rip through a ton of songs that I could enjoy with just about anyone singing them. But seeing THE Misfits? It was never even a pipe dream.
Then the announcement came, completely out of the blue. This is actually happening. Reading it, I felt like I was in 7th grade again, relishing in the discovery of something new, 4 years after it had ended. My wife and I put in for a couple days vacation on the spot, bought tickets, booked airfare and a room. We spent more money than we had any reasonable right for our young family to do. Supported throughout our youth (hell, throughout our lives) by punk rock, and being true lovers of all types of live music, we rationalized it by looking at the 3 days of Riot Fest as a true bucket list of bands that we had missed every previous chance to see, and as a 4 day, kid-less vacation, which we both needed and deserved. It decimated our live music budget, but for us, it was worth every penny. I even sold 2 guitars and some other gear so we would have cash for the weekend (Jim, I guess I really do owe you for your half of that black Kramer now).
Then the wondering. Would they make it past the first show? Would the whole thing implode before Chicago? Will they even acknowledge each other on stage? God, is this going to suck? I'll freely admit that each subsequent time I've seen Danzig, I thought the performance he gave was less impressive than the one before. That's not a complaint, nor am I saying that he or his band weren't good, nothing could be further from the truth. That 1990 show was just really that good. He always gives his all, putting on an unforgettable show, and I'd go see him again tomorrow, knowing full well that I'd more than get my money's worth. I'll also freely admit that each time that I've seen the "new" Misfits since Michale Graves left, my expectations have not been met, but those expectations were extraordinarily high. Jerry and all the bands that he assembles put on a great show, and I cough up my hard-earned money to see them anytime I can. The passion that Jerry Only has for the music, his love for the Misfits' fans and the individual attention he makes a concerted effort to give them, and his consciousness of the amount of joy he brings to them by keeping the mere idea of the Misfits alive and those songs on a stage more than make up for what I personally perceive as his shortcomings as a singer.
And then came Denver. I had told myself that I would spend the two intervening weeks until Chicago avoiding subpar cell phone videos with terrible sound so as not to taint my expectations. Then some Reddit user posted a picture of the Denver setlist on a Riot Fest thread. I saw that it included Hybrid Moments and I just couldn't help myself. Then the comments began about long breaks and Glenn being out of breath, the pacing being slow, and how Glenn's stage banter was stupid, and the cheesy giant pumpkins, and COME ON ALREADY!! I got the impression that people were expecting them to relive Evilive (the only official live document of the original misfits), which, if we're being honest, sounds truly awful, and was recorded at the height of the era all of these so-called fans profess a desire to relive. Glenn was 26 (not 61), Jerry was 22 (not 57), and Doyle was 17 (not 52) and guess what? The break you hear on that 13 minute record is long, Glenn is out of breath, the stage banter is stupid, and the pacing of those 7 songs (oh, sorry, you got he 12 track version?), I mean of those 12 songs is all over the place. But the energy on those few recordings is infectious. That's what those guys gave us last night. Everything that they have of those 26, 22, and 17 year old hearts, along with the knowledge of what those songs mean to so many people, was in every single note they played. So Glenn had to take a few breathers. Big deal. So the sound was a little questionable for the first third or so of the set. Who cares. When they were playing, they were on. We got more last night than Evilive ever gave us.
Having played in bands, you always want to sound your best. You always want everything to work. You always want every little thing to fall into place. The fact is, that, rarely, if ever, does that happen. Especially when you're at breakneck speed. Last night was not about perfection. It was about an experience. I read an interview Glenn did after the two reunion shows were announced and he spoke about the recent losses of Prince and David Bowie and how it made him think about their fans who never had the chance to see them. If it's true, I'd like to thank Prince (who I did get to see) and Bowie (who I did not), not only for what they gave the world, but for any hand that they might have had in what I got to experience last night. It was not perfect. What it was was everything that the 12 year old me could have ever imagined it could be, plus there were giant pumpkins. So I guess the Chicago Tribune got one thing right, it was "not all that historic." It was fucking epic, like a dry desert soaking up rain, soaking up sun.